This was always going to be a quest where you can satisfy some of the people some of the time, but not all of
the people all of the time, as it is a very subjective and emotive topic, with very broad parameters. The “Top
Ten” only included three pre-war cars, two of which were diametrically opposed, the Austin Seven, which may
be described as the original people’s car, and the Rolls Royce Silver Ghost, which staked its claim as the
best car in the world, with new levels of refinement and reliability, when it went into production. In the post war
stakes were the Jaguar XK SS, the Lotus 7, the Ford GT40, the Mini Cooper S, the Range Rover, the
McLaren F1 and the Jaguar E-Type, with the latter claiming the victor’s laurels.
There was also a feature celebrating Aston Martin with a range of models, starting with oldest know example
still in existence, the 1921 A3 prototype, running through to the latest DB9 GT, and of course including an
example of the model which made the company a household name through the James Bond film “Goldfinger”
in 1964, the DB5. The achievements of Sir Stirling Moss were also recognised with a fine display featuring a
selection of the monoposto cars that he drove during his career, including the Ferguson P99 4 wheel drive F1
car, in which he won the 1961 International Gold Cup F1 race at Oulton Park, which remains as the only F1
race ever won by a 4 wheel drive car, as the technology was banned from F1 in 1983. The two wheel brigade
weren’t forgotten, with a broad range of motorcycles and scooters lining the walls of the Panorama Room, with
an exhibition of LAT Library photography in the gallery between that and the West Hall.
The bulk of the other car displays were provided by classic car dealers and specialist restorers, including
some from Belgium, France, Germany and The Netherlands, with a varied selection of machinery available for
sale. The Gallery from Brummen in The Netherlands had a very varied array of cars on offer, with a picture of
their expansive premises forming an attractive backdrop to their stand, whilst Samuel Laurence’s stand was
decorated like a film set, and JD Classics had a very impressive set-up, with a pale metallic blue Fiat
Bartoletti Car Transporter as a backdrop to part of their display, carrying an AC Cobra and an AC Cobra
Supersonic Coupe. Each day there were guests on the Live Stage, being interviewed, including David
Brabham, Ross Brawn, Norman Dewis, Sir John Egan and Mike Wilds. There was also a silent auction for the
original artwork for the event poster by Tim Layzell, the proceeds going to the charity “WeSeeHope”, plus a
stand displaying other examples of his artwork. There were also many other artists displaying their work,
along with all the usual peripheral memorabilia, book and model stands, which are an integral part of any
classic car show.
Keith Bluemel
10/2015
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